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Professional studio
A properly treated room, the same one we make records in.
Studiomaja Boutique Garage
A small producer program in a real studio. It doesn't matter whether you've never opened a DAW or you've got fifty half-done projects. You leave with one track that's finished, and a way of working you can repeat on your own.
There's no audition and nothing you need to know beforehand. We work with whatever level you walk in at, and the goal is the same either way: a track you're happy to play to other people, and to yourself.
You've never opened a DAW, or you opened it once and gave up. We start from the beginning, in person, with someone right there to help you and guide you through it.
You've watched the tutorials and collected the plugins, but nothing gets past eight bars. Usually that's a workflow problem, and it's fixable.
You make things but never call them done. Here you get deadlines, honest feedback, and enough studio time to push a track over the line.
This is an offline program, so the space matters as much as the teaching. Here is where you will actually be sitting.
The main room
Where you sit
The desk
The lounge
The corner
The boothWe cover how a track gets built from the ground up: workflow, signal flow, arrangement, and the working habits that get things finished instead of endlessly tweaked.
Eight hands-on sessions. You work on your own material at your own station, and you get feedback while you're working rather than in a lecture afterwards.
Everything in the program points at this: one track taken from an idea to something you can actually release. Finishing is the hardest part, so that's what the whole program is built around.
We play your work on the studio monitors for the whole group. You get specific, honest notes from people who care about the music.
When the program ends you keep access to the studio community, and you stay in touch with the producers you went through it with.
A monthly session to keep the momentum going, with new work and new problems from everyone in the group.
One on one guidance if you would rather go solo, usually across a track, an EP, or a longer body of work, or whatever it is you aim for.
A rough map of the ground we cover. The order flexes a little with each intake, but the destination does not.
Setting up a session, choosing a starting point, and getting past the blank project.
Rhythm programming, swing, and why a beat feels right or does not.
Choosing sounds that work together, sampling, and shaping your own palette until it sounds like you.
Turning a loop into a track with tension, release and a shape people can follow.
Balance, space, and the handful of moves that fix most amateur mixes.
Using the studio properly to capture live parts and vocals.
Getting your own project across the line: knowing when it is done, and making it loud and clean enough to release.
The final session, like a thesis. You play your finished track on the studio system and get an honest review from the people who taught you, then work out what to do with it next.
These eight modules are a sensible guess, not their real syllabus. The deck lists a "Curriculum Framework" in its contents but that slide was never filled in. Sit with Anggasta and Rizki and confirm:
A properly treated room, the same one we make records in.
Everyone gets their own workstation, so the whole session goes into your own music.
Monitors that show you what's really in your mix. A lot of home-studio problems disappear the first time you hear them properly.
Specific notes on your own track, which is what a tutorial can't do.
Notes and resources from every session, so you can go back over things at home.
Time to use the studio and apply what you just learned while it's still fresh.
You leave with a group of producers you keep working with afterwards.
Sessions run long, so there's always coffee going.
Tracks finished in the program, and what the people who made them said about it.
Short quote from a past participant. Two or three sentences is plenty.
The best ones name the specific thing that changed, not just that it was great.
A quote from someone who walked in as a total beginner would carry the most weight.
Records, commercial work and audio post Studiomaja has delivered since 2020. Artist names, brands or project titles they are allowed to show publicly.
This is the weakest part of the site right now. Every other section is us making claims about ourselves. Ask for, in order of value:
If this is the first intake there are no alumni yet. Then drop the tracks and quotes, and rest the whole section on studio credits plus Anggasta and Rizki's own releases and sets.
Studiomaja boutique garage has two co-founders, and both of them teach. You work with them directly in every session, not with an assistant.
Co-founder of Studiomaja, working across recording, mixing and mastering since 2020. Recent credits include mastering a Logic Lost release out through Orange Cliff Records, and tracking vocals at the studio for Strange Fruit.
Co-founder, DJ and producer. He brings the club side of it: how a track actually lands on a big system, in front of a crowd.
He has done scoring work on a short film teaser, released on a few international labels plus some local ones, and currently runs music programming at Zodiac.
Same program either way. The only difference is the price and how many of you are in the room.
Slides 8 to 10 of the deck are still placeholders ("Header", "OPTION A"), so pricing was never set. Confirm with them:
Tap any button on this page and WhatsApp opens with your message ready. Tell us roughly where you are at.
He will tell you honestly whether the next intake fits you, and answer anything this page did not cover.
Confirm your place for the intake, then we send the schedule and what to bring on day one.
Their Instagram already has a "HOW TO BOOK" post, so a flow exists. Get that post and match this section to it, then confirm:
We'll share the exact address when the next intake opens.
Dates and session times are being locked in now.
Packages and pricing are being finalised.
For an offline class in Jakarta, getting there is part of the decision. Confirm:
Message us and we'll send the details as soon as the next intake opens. We'll also give you an honest answer on whether the program suits where you are right now.
Message us with where you're at right now, even if that's nowhere yet. We'll give you an honest answer on whether the next intake is a good fit.
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